DO Students Study Picasso, C茅zanne to Hone Primary Care Skills
February 11, 2019鈥淚s that 鈥 is that a door?鈥
鈥淥h, to me it almost looked like a storm drain. But maybe?鈥
Pete Cloney (DO 鈥22) and Anna Sicilia (DO 鈥22) are leaning towards The All茅e of Chestnut Trees at the Jas de Bouffan, by Paul C茅zanne, studying it closely, looking at the painting鈥檚 colors, the brushstrokes
the artist used, and the lush scenery of the tree-lined path within.
鈥淭here鈥檚 lots of little bumps,鈥 Mr. Cloney points out to his partner. Ms. Sicilia
shifts positions to get a better view.
These medical students may appreciate art in their spare time, but today, they鈥檙e visiting the Barnes collection
in Philadelphia鈥攁 trove of over 3,000 works of art featuring masterpieces by Renoir,
Matisse, Picasso, and C茅zanne鈥攁s an optional part of their Primary Care Skills (PCS)
class, for a series of workshops designed to hone their perception, observation, communication
and collaboration skills.
Existing research has shown that studying artworks can help strengthen these skills;
a 2018 study in the journal Ophthalmology found 鈥渟ignificant improvements鈥 in observational skills among medical students who
took part in six art-observation sessions.
At 黑料传送门, more than 60 percent of graduates go on to practice in primary care, where
those skills are a physician鈥檚 most powerful tools.
鈥淚 think this is helping train our clinical eye,鈥 said Ms. Sicilia. 鈥淚鈥檓 picking up
small details and seeing things he didn鈥檛, and we鈥檙e collaborating on our findings.鈥
鈥淎s we move toward a more integrated approach to medicine, we鈥檒l be dealing with different
types of health practitioners. I think workshops like this can help us build those
collaborative skills,鈥 added Mr. Cloney.
The series of four workshops, offered by the Barnes through the Sheldon Weintraub
Fund, were developed and are led by William Perthes, Bernard C. Watson Director of
Adult Education at the Barnes. The curriculum is designed to engage medical students
and professionals on how close-looking skills can be beneficial in a clinical setting.
鈥淚n each session, we study these works of art and discuss what is verifiably observable,
and what the cumulative effects are of the choices the artist decided to make,鈥 explained
Mr. Perthes. 鈥淲hen we think about how medical students approach what they see in a
clinical setting, it鈥檚 very similar. There is a linear connection between the way
an artist observes and interprets what they鈥檙e painting, and the way a medical student
or professional observes and interprets what they鈥檙e seeing in a patient.鈥
Mr. Perthes has held similar workshops with other medical schools in the city. Ruth
Conboy, DNP, LPC, a counselor in the Office of Student Affairs, reached out to Mr. Perthes to see how 黑料传送门 could become involved. This collaboration
marks the first time he has met with students across multiple sessions.
鈥淲e鈥檙e interested to learn what the cumulative effects of these visits will be,鈥 he
said.
Students in the PCS class, led by Harry Morris, DO '78, MPH, professor and chair, family medicine, applied to attend the workshops and were selected
based on their level of interest. During each session, students closely studied works
in the collection, discussed what they saw as a group, and journaled their thoughts
and experiences for later reflection.
鈥淚n PCS the students learn how to interact with patients and learn to interpret what
they鈥檙e seeing鈥 and what they鈥檙e not,鈥 said Dr. Morris. 鈥淭hat is the hallmark of doctor-patient
interaction, and the sessions at the Barnes are a natural fit for our students; our
educational philosophy is to encourage them to look beyond the illness or ailment to find the root of the
problem.鈥
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